Candy is a solo artist, a songwriter, an in-demand instrumentalist, and a co-writer and collaborator who has worked with some of the biggest names in modern music, including Van Morrison, Maceo Parker, Sheila E., Mavis Staples, Lionel Richie, Beyoncé, Pink Floyd, Chaka Khan, Aretha Franklin, and Prince, among many others. She first rose to fame with her high-profile collaboration with Dave Stewart on the worldwide number 1 smash “Lily Was Here.”

Her tenure with Prince may be best remembered by his tongue-in-cheek recommendation in the “Partyman” video: “When I want sax, I call Candy.” Their collaboration continued over the years with many studio sessions, TV show appearances, award show performances, including the Grammy Awards, and concert tours around the globe, including Candy joining Prince’s NPG band as a permanent member for his record-shattering Musicology tour and album.

In addition to her superstar collaborations, Candy is a serious lifelong musician with a robust history as a solo artist releasing albums and touring the world for over 35 years. Since her Grammy-nominated debut, 1990’s Saxuality, Candy has issued 12 studio albums. The combined world-wide sales of her solo albums top 2.5 million copies, and she has had several number 1 hits in the USA. In between her solo albums and her high-profile collaborations, Candy still manages to join Dutch female supergroup the Ladies of Soul for their annual sold-out concerts at the massive Amsterdam Ziggo Dome; she is a headline performer on Smooth Jazz Cruises in the USA and Europe; she is an ambassador for the Dutch ALS Foundation; and Candy was a judge on the Dutch version of X Factor.

At the age of 4, Candy’s destiny unfolded before her eyes, watching jazz heavyweight saxophonist Sonny Rollins. Her father, Hans Dulfer, brought her to the show. Hans is a well-known Dutch jazz saxophonist who, when Candy was growing up, surrounded himself with legends such as Archie Shepp, Dexter Gordon, and guitarist John McLaughlin. Candy began playing sax at the age of 6, and started her own band Funky Stuff at the age of 13.

Candy soaked up music and life lessons from her father, and the iconic musicians he worked with, but Candy also boldly discovered her own voice as a songwriter and an instrumentalist, finding a home in contemporary jazz and pop-funk. She has worked hard to become an ar/st on her own terms, inspired by the likes of David Sanborn, Steps Ahead, Marcus Miller, Michael Brecker, Maceo Parker, Cannonball Adderley, percussionist Sheila E. and Janet Jackson. I wanted to be Janet Jackson but then with a saxophone entertaining and at the same time musically giving”

We Never Stop features vocals from Candy’s rainbow family of a band with lyrics informed by band dialogues and the culture and health crises of the past two years. These include the toll of the pandemic on the music communities and the race horrors that have galvanized a global Black Lives Matter movement. The album bursts open with “Yeah Yeah Yeah,” a percolating dose of vintage funk that recalls P-Funk, Prince, and Average White Band with a feisty outro sax solo.

Legendary Chic guitarist Nile Rodgers (Madonna, David Bowie, Daft Punk, Lady Gaga) appears on the singles “Jammin’ Tonight” and “Convergency.” “Jammin’ Tonight,” is a bold injection of party pop-funk with a slick jazz overlay that recalls Nile’s 1970’s “Good Times” finery. Here, Candy blows some euphoric jazz-tinged solos, and you can hear pain and struggle melt away in her lyrical virtuosity. The album’s title track funks in the face of adversity. It’s Candy’s salute to all the musicians who have had their livelihoods leveled in the wake of the pandemic—this is a funky as hell anthem of resilience. “Convergency” is a dizzyingly romantic R&B instrumental ballad with jeweled melodic sax work.

After three decades of superstar collaborations and world tours, and chart-topping and high-selling solo career releases, Candy is living proof of the title of her latest album, We Never Stop. Nothing gets in the way of her making funky stuff. Today, her determination and passion remain, but her motivations are different. “These days, I play music to, hopefully, inspire younger people. When I was 12, I didn’t have many female saxophonists to look up to, and I want to be that person for the next generation of musicians,” she says.

In addition to these career highlights, Miller has a rich and very deep resume of outstanding collaborations, including a 15- year song-writing and production partnership with Luther Vandross, resulting in 13 consecutive platinum selling albums of which Miller Produced 7, and a double Grammy win in 1992 - for the double platinum selling album Power Of Love/Love Power winning “Best R & B Vocal” as well as “Best R & B Song”. It was the last # 1 R & B album for twelve years before Vandross’ mega cross-over pop hit Dance With My Father in 2001.

Miller also left an indelible mark on the careers of artists as varied and talented as David Sanborn, Roberta Flack, Aretha Franklin, Chaka Khan, Al Jarreau, Bob James, Lalah Hathaway and Wayne Shorter. Most notable, after several years of touring in Miles Davis’ band in the early 80’s, Miller developed a close professional and personal relationship with Davis which led to his collaboration on three critically acclaimed albums - the most famous being the ground-breaking album and title song Tutu, making Miller the last primary producer, arranger and composer for this great jazz legend. The album and title song, which Miller composed, produced, arranged and performed on, is widely regarded as a significant addition to the canon of contemporary jazz music. Not only did the album win two Grammy awards, it is considered to be one of the definitive Miles Davis albums of our time.

Most Miller aficionados know that as a composer, Miller has an endless list of film and television credits to his name. Miller rose from writing the go-go mega hit ‘Da Butt’ for Spike Lee’s 1988 film School Daze to becoming the go-to composer for over 20 top urban movies. His film scores include the cult-classic House Party( feat. Kid ‘N Play - 1990); the Eddie Murphy/Halle Berry classic film Boomerang (1992); Above The Rim (feat. Tupac Shakur and Marlon Wayans -1994); Two Can Play That Game (feat. Vivica Fox, Gabrielle Union, Morris Chestnut and Anthony Anderson - 2001); This Christmas (feat. Idris Elba and Chris Brown - 2007); the Chris Rock cult classic Good Hair (2009); and About Last Night (feat. Kevin Hart and Regina Bell - 2014). Marcus also supplied the music for the successful weekly TV series Everybody Hates Chris, currently in syndication.

Most recently, Miller composed the music for the Oscar nominated film Marshall (2017) directed by Reginald Hudlin and starring Chadwick Boseman as a young Thurgood Marshall and Emmy-award-winning actor Sterling Brown from the hit TV series This Is Us. The film was the winner of the 2017 Chicago International Film Festival award; the 2017 African American Film Critics Award; the 2017 Hollywood Film Festival Award, and was also a 2017 Image and Critics Choice award nominee, and received five NAACP Image award nominations.

As if that weren’t enough, Miller also broadcasts two weekly radio shows – one in the U.S. and the other in the U.K. Jazz with Marcus Miller On MillerTime (affectionately referred to asThe Marcus Party by fans) airs every Sunday on SiriusXM. Miller’s radio show in London is called TransAtlantic Jazz With Marcus Miller and broadcasts each Wednesday on Jazz FM in the UK. Miller is also the annual host and head-line artist on multiple jazz cruises each year offered by Entertainment Cruise Productions including the very popular Blue Note At Sea jazz cruise, as well as the Smooth Jazz Cruise - all of which sell out each year.

On top of all of this, Miller has been a prolific artist and bandleader in his own right for well over 20 years, having released over a dozen albums under his name. Miller tours extensively worldwide with a band of gifted young musicians - perhaps reminding audiences of a certain Miles Davis who did the same for Miller and other young musicians like Herbie Hancock and Wayne Shorter.

Miller is the performer/composer/producer and arranger of ten critically acclaimed solo projects, among them The Sun Don’t Lie (feat. Miles Davis, Herbie Hancock and Wayne Shorter); Tales (feat. Me’Shell NdegéOcello and Q-Tip) Silver Rain (feat. guest artist Eric Clapton) Free (feat. Corinne Bailey Rae); A Night In Monte Carlo (feat. the Monte Carlo Philharmonic Orchestra) and Renaissance (2012). His album M2 won the Grammy award for best Contemporary Jazz Album in 2001.

In 2015, Miller released Afrodeezia, an album inspired by his role as a UNESCO spokesperson for the Slave Routes Project. For that album, Miller incorporated musical influences from countries along the Atlantic slave route passage, collaborating with musicians from West Africa, North Africa, South America and the Caribbean. The album earned a 2016 Grammy nomination for Best Contemporary Jazz Album and Miller performed more than 250 sold-out shows worldwide behind the album’s release.

Miller’s current project - the new genre-defying album Laid Black, due to be released June 1st, brings the story of the Afrodeezia journey “home” where we find Miller incorporating more modern, urban elements into his music from trap, hiphop, R&B to gospel. Of this music, Miller says: “After Afrodeezia where I did a lot of traveling all over the world, I thought it would be cool to bring into the mix, some of the influences of our time that I was listening to right here at home. My band and the guest artists I recruited to collaborate with on this album are all versatile enough to play music ranging from be-bop to hip-hop. That made the musical mix I wanted to pursue on this album very possible.”

Anyone who has listened to Miller’s music or experienced Miller’s concerts live, knows that they are in for quite an experience with the new album. Miller’s powerful, jazz/funk bass playing is out in full force with this music – pushing boundaries and taking jazz to new levels. Miller, along with his incredible band of young talents, will be sure to excite, challenge and transport audiences.

The new album, Laid Black, features special guest performances by Trombone Shorty, Kirk Whalum, Patches Stewart, Take 6, Jonathan Butler and guest vocalist Selah Sue. Laid Black is certain to thrill and exhilarate Miller fans and will help continue to propel Miller to the world superstar status of fusion, funk, soul and jazz master!